ABOUT Ashes (Book #2)
They will not give up…she’s about to find out why
Scarlett barely escaped with her life the last time she ran in to The
Venari; but she refuses to spend her days looking over her shoulder.
Determined to be normal, she heads to Europe, only to learn that her
wish to blend in is simply not meant to be. With Jake delayed in Salem,
Scarlett is vulnerable and forced to rely on new found friends, The Collective;
a band of people with gifts like her own.
When her desire to bring an end to her torment leads her to the dark
underbelly of Paris, she discovers what The Venari plan for her is not death,
but in fact much worse.
ABOUT Amy Keen
Amy works in PR by day and spends the rest of the time as a mum, wife, fan-girl and YA author. A total, unashamed book freak, she reads and writes as much as possible and has a penchant for anything ‘wordy’. If there is any time left over after all of the above, she can be found chatting at inhuman speeds, consuming absurd amounts of coffee (writer cliché #1) and attempting to diffuse her perpetual state of shopper’s guilt. Her new novel Ashes just released and her debut novel Embers (Foresight #1) came out in 2012.
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contact
Sara
soconnor@gliterarygirl.com
Excerpt
We took a sudden left down a path I hadn’t even noticed and I grew more painfully aware of how much deeper we were going, which meant I was losing track of how to get out. The air further down was damper and the putrid scent of the death housed in the rooms all around us was lingering, haunting the maze like a horde of ghosts.
My eyes were greedily trying to take it all in, desperately searching for clues of a way out, what exactly they would do with me in this room. The door had long since closed behind us and a glance confirmed my worst fears; there wasn’t just a code to get in. There was one to get out.
Sutcliffe stopped at a large wooden door that ran flush with the stone wall. It was thick, old timber with heavy metal adornments and a huge door knob. He placed his hand over the handle and it split in two, one half separating from the other as the top slid to the right. Beneath what had appeared to be a normal handle was a small gray pad, not unlike what Elias had at his apartment. They had been making modifications. I guessed this is what he was referring to when he used the word sophisticated. The door came to life with a loud thunk. It moved back a few inches before sliding to the left and revealing a bright white laboratory style room. The luminescence of the clinical strip lights burned my eyes and I squinted to adjust. He dragged me forward and the room expanded before me into huge space that glowed white. To my left there was a bank of steel work benches with complex looking machinery and microscopes. Straight ahead there was a large dentist style chair with restraints on the arms and legs; a huge brace hung above it which looked like some kind of futuristic helmet and a hospital gurney, just like the one I had experienced the last time I lay in wait, at the back of the room with unused IV machines lined up alongside. On the right hand side there was a bank of monitors mounted on the wall above a control panel of blinking lights and switches so vast it looked like it could have been lifted right out of air traffic control. The wall of blank screens stretched ten deep and three high. There was nothing to suggest at all where we were stood, not a single bone or trace of stone. I had been in hospitals less equipped than this. If the circumstances were different I might have been impressed at what they had been able to achieve in these underground tombs, but the reality jolted me back into the moment and the darkness I had been fighting since I first learned about any of this twisted; we both knew that this room was set to bring about some form of conclusion.
My eyes were greedily trying to take it all in, desperately searching for clues of a way out, what exactly they would do with me in this room. The door had long since closed behind us and a glance confirmed my worst fears; there wasn’t just a code to get in. There was one to get out.
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